An Amusement Fit for Half-wits: Partial Histories of Film Archives

  An Amusement Fit for Half-wits: Partial Histories of Film Archives Rachael Stoeltje, Indiana University Libraries Moving Image Archive Christophe Dupin, International Federation of Film Archives (FIAF) David Walsh, Imperial War Museum The notion of preserving for the future such a low form of entertainment as film (‘an amusement fit for children and half-wits’) was

Preserving Film Collections for the Future: An Essential New Web Application

  Preserving Film Collections for the Future: An Essential New Web Application Jean-Louis Bigourdan, Image Permanence Institute/RIT Alex Bliss, Image Permanence Insitute/RIT Implementing the best possible preservation strategy is an intricate and difficult process. IPI worked on an NEH-funded project to create a web-based application called filmcare.org. The objective of the project was to design

The Long Goodbye: Curation Through Careful De-accession

The Long Goodbye: Curation Through Careful De-accession Sean Savage, Academy Film Archive Stefan Palko, Academy Film Archive Deborah Stoiber, George Eastman House It’s simply not feasible to save all the media consigned to our institutions, and we must inevitably come to terms with our limitations in collection criteria, storage and staffing. In this session, representatives

Processing Film Collections Labeled in Non-Latin Alphabets

  Processing Film Collections Labeled in Non-Latin Alphabets Liz Coffey, Harvard University Amy Sloper, Wisconsin Center for Film and Theatre Research Travis Wagner, University of South Carolina Spencer Churchill, George Eastman House What do you do when a large collection arrives at your archive and it is all labeled not only in a foreign tongue,

Confronting the Crisis: Sustainable Preservation and Access Solutions at Scale

  Confronting the Crisis: Sustainable Preservation and Access Solutions at Scale Joshua Sternfeld, National Endowment for the Humanities Chris Lacinak, AVPreserve Rachael Stoeltje, Indiana University Jean-Louis Bigourdan, Image Permanence Institute Bono Olgado, University of the Philippines Film Institute Recent work suggests that moving image preservation and access is in the midst of a “crisis” with

Designing and Building the Post-Analogue Audiovisual Archive

  Designing and Building the Post-Analogue Audiovisual Archive Jan Müller, Netherlands Institute for Sound and Vision, FIAT/IFTA President November 19, 2015 The presentation addresses the challenges related to the role and function of audiovisual archive institutions as the environment they operate in becomes more and more digital and networked. The context is the Netherlands Institute